大陆女公安郑妹应香港警方要求，与助手阿胜押解一名毒犯赴港，以协助香港警方找出幕后主脑。不料人犯交给港方的翌日，便越押而去，郑妹奉命留下。负责接待她的香港警官伍卫国与郑妹之间因思想和办事风格不同而时生冲突，伍父乃老国民党军官，更与郑水火不容，但经过一番波折之后，还是由中港台三方合力将毒枭制服。

大陆女公安郑妹应香港警方要求，与助手阿胜押解一名毒犯赴港，以协助香港警方找出幕后主脑。不料人犯交给港方的翌日，便越押而去，郑妹奉命留下。负责接待她的香港警官伍卫国与郑妹之间因思想和办事风格不同而时生冲突，伍父乃老国民党军官，更与郑水火不容，但经过一番波折之后，还是由中港台三方合力将毒枭制服。

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故事承接上集，讲述表姐郑硕男在港成功破案，返回国内，深受赞赏，并获委派负责训练公安队员。 　　硕男利用她在香港所得经验，希望把公安部队变得更先进、更现代化，但训练中，郑的一贯自我作风加上刚学回来的零星外语（英语）、阿胜时灵时不灵的异能及助手阿虎的气功，弄到学员无所适从。 　　与此同时，伍父带同侄儿阿雄返内地探亲，一到步伍父就错认了母亲，搞出连串笑话，后又神神秘秘搅其地下活动，而阿雄则在宾馆内遇上凶杀案，郑的死硬派与雄的嬉皮笑脸，终成冲突，最后由伍父出现打圆场，郑才知悉雄的身份。 　　阿雄遇上刺杀，于是被安排到郑家接受二十四小时保护，郑平淡生活被阿雄这陌生异性弄得波涛起伏。晚上雄梦游，胡乱吻郑的嘴，令郑为自己宝贵贞操终可失去而惊喜莫名。 　　其后雄因不耐而留言返港，郑回报上级，再次被派往香港缉拿凶手，接二连三搞出连篇笑话。而郑一边要出生入死追捕凶徒，另一边亦为自己失去的所谓“贞操”而辗转难眠，究竟坦然示爱，还要誓保自尊，令郑表姐不胜苦恼。

故事承接上集，讲述表姐郑硕男在港成功破案，返回国内，深受赞赏，并获委派负责训练公安队员。 　　硕男利用她在香港所得经验，希望把公安部队变得更先进、更现代化，但训练中，郑的一贯自我作风加上刚学回来的零星外语（英语）、阿胜时灵时不灵的异能及助手阿虎的气功，弄到学员无所适从。 　　与此同时，伍父带同侄儿阿雄返内地探亲，一到步伍父就错认了母亲，搞出连串笑话，后又神神秘秘搅其地下活动，而阿雄则在宾馆内遇上凶杀案，郑的死硬派与雄的嬉皮笑脸，终成冲突，最后由伍父出现打圆场，郑才知悉雄的身份。 　　阿雄遇上刺杀，于是被安排到郑家接受二十四小时保护，郑平淡生活被阿雄这陌生异性弄得波涛起伏。晚上雄梦游，胡乱吻郑的嘴，令郑为自己宝贵贞操终可失去而惊喜莫名。 　　其后雄因不耐而留言返港，郑回报上级，再次被派往香港缉拿凶手，接二连三搞出连篇笑话。而郑一边要出生入死追捕凶徒，另一边亦为自己失去的所谓“贞操”而辗转难眠，究竟坦然示爱，还要誓保自尊，令郑表姐不胜苦恼。

擁有預知未來七秒能力的林易，遇見女轉學生夏品蓉，卻發現無法預見她的未來。調查後才得知，能力失效是因為早已愛上對方。當他即將告白時，卻看見未來兩人因價值觀分歧漸行漸遠而選擇放棄，不料兩人卻在七年後再度重逢。

巴西纪录片女导演Lúcia Murat一鸣惊人的作品，讲述60年代巴西军事独裁时期那些被捕入狱受到非人虐待的女性的故事，影片采用纪实与虚构相结合的创作手法。 　　http://history.sffs.org/films/film_details.php?id=2295&searchfield=nic 　　On March 31, 1964, a military coup overthrew the Brazilian government. Four years later, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache. Filmmaker Murat, like the interviewees, was herself tortured and imprisoned; her film shatters the silence imposed on the survivors and the collective will to forget. 　　Lucia Murat is a Brazilian journalist and filmmaker. After working in the main TV stations and newspapers of Brazil as a journalist, she has been responsible in the last four years for an important series for educational TV, Testemunho, about the Brazilian history; O caso eu conto como o caso foi, short stories based in classics of Brazilian literature, and Mulheres no cinema, about women in the Brazilian movies. As a filmmaker, she has done the award winning films O Pequeno Exercito Louco (Little Mad Army), Daisy, Que Bom te Ver Viva (How Nice to See You Alive) and Doces Poderes (Sweet Power). Now she has started the pre-production of her next film, Brava Gente Brasileira (Brave Brazilian People).

When recently single Steven moves into his new apartment, cable guy Chip comes to hook him up—and doesn't let go. Initially, Chip is just overzealous in his desire to be Steven's pal, but when Steven tries to end the 'friendship', Chip shows his dark side. He begins stalking Steven, who's left to fend for himself because no one else can believe Chip's capable of such behaviour.

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A group of young 20-somethings engage in a multitude of sleazy sexual escapades.